By Shannon Hale
At Ever After excessive, everyone seems to be anticipated to signal the Storybook of Legends, pledging to stick with of their fairytale parent's footsteps. but if Raven Queen got here alongside, issues grew to become fairy, fairy complicated. Now no one's future is sure, no longer even for the main royal of all of them, Apple White.
When a mysterious being from Wonderland starts to contaminate Ever After excessive with an odd magic, every little thing is going topsy-turvy. the scholars rework into animals and items, palace mice speak, and the attractive eco-friendly grounds on campus fade to black-and-white. Lizzie Hearts, Wonderland's destiny queen, Cedar wooden, daughter of Pinocchio, and Madeline Hatter, inheritor to the Mad Hatter's Hat and Tea Shoppe, appear to be the one ones who haven't thoroughly misplaced their heads. It's as much as them to save lots of their top neighbors eternally after from a curse that threatens to provide their school-and their lives-a very unsatisfied finishing.
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Additional resources for A Wonderlandiful World (Ever After High, Book 3)
In Geliebte Objekte: Symbole und Instrumente der Identitätsbildung (Beloved objects: symbols and instruments of identity construction), Tilmann Habermas, a professor of psychoanalysis and memory studies expert, explores the role that objects play in our lives and identity creation processes. He argues that one of the important aspects of the familial transfer of objects is that they act as a stand-in for an absent third party and can evoke the former owner in the present moment: even if worn in Auckland today, these pearls once graced the grandmother’s neck in Budapest (1999: 283–85).
Souvenirs, relics (primarily in the nonreligious sense), souvenirs, and other memorabilia are important themes in the study of memory; they represent the past and are, in metonymic form, embodiments of the past. In his seminal study on cultural memory, Jan Assmann defines several external dimensions of memory, such as societal and cultural structures, mimetic memory, and also the Gedächtnis der Dinge, ‘the memory of things’ (2011: 6). Objects tell many stories, ranging from intimate to public, and act as carriers of personal and cultural memory.
Here, continuity and connectivity – or their lack – is emphasized. In light of the significance of these objects, the points of transmission tend to be highly emotive, especially when they occur unexpectedly. The implication of such moments is that by touching a family heirloom, the sense of belonging to a familial line becomes tangible: the recipient is given a usable past while becoming part of a chain of generations despite the Holocaust. This is indeed a point of contact and transmission in the sense of Hirsch and Spitzer, and a concentration of memory work.
A Wonderlandiful World (Ever After High, Book 3) by Shannon Hale