Download PDF by Bill Hurter: Existing Light Techniques for Wedding and Portrait

By Bill Hurter

ISBN-10: 1584282282

ISBN-13: 9781584282280

The single approach i will be able to describe this booklet is as person who is stuffed with a number of good lit photographs and not anything else. in case you learn the outline in Amazon you are going to suppose the e-book comprises a few guideline and outlines of ways the photographs have been lit. when you open the publication you speedy research that there's little or no to benefit from the pages inside of.

You are purchasing a way journal and guessing how the pictures are lit, it will give you higher images to examine and value some distance much less.

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New PDF release: Existing Light Techniques for Wedding and Portrait

The one manner i will be able to describe this publication is as person who is stuffed with a couple of good lit pictures and not anything else. for those who learn the outline in Amazon you'll think the ebook comprises a few guideline and outlines of ways the pictures have been lit. when you open the ebook you quick study that there's little or no to profit from the pages within.

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Extra resources for Existing Light Techniques for Wedding and Portrait Photography

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Sometimes grid lights are used (grids narrow the light by channeling it down through small honeycomb openings in the light baffle). Window light can also be an effective low-key light source if used without a fill. Sometimes a black gobo is used opposite the key light to further deepen the shadows. Low-key lighting is often used to slim the appearance of large-figured people, since it is relatively easy to “hide” major portions of the person’s body in blackness. FOCUSING ACUMEN, MINIMAL WINDOW LIGHT, AND MAXIMUM APERTURE Cliff Mautner makes it a habit to create a stunning portrait as soon as the bride is dressed in her gown.

It is ideal for adding a dramatic effect to your subject and is often used in character stud30 EXISTING LIGHT TECHNIQUES FOR WEDDING AND PORTRAIT PHOTOGRAPHY SCENE CONTRAST Lighting ratios determine contrast and to what degree the light will slim the subject’s face. The higher the lighting ratio (the greater the tonal difference between highlight and shadow sides of the face will be), the thinner the subject’s face will appear. The ratio is also an indication of how much shadow detail you will have in the final portrait.

Split lighting is created when the key light illuminates only half of the subject’s face. It is an ideal slimming light that can be used to narrow a wide face or nose. It can also be used in conjunction with a weak fill light to hide facial irregularities, or even with no fill light for a highly dramatic effect. PORTRAIT LIGHTING FUNDAMENTALS 43 In split lighting, the key light is farther to the side of the subject and lower (see diagram, page 39). Sometimes, the key light is even slightly behind the subject, depending on how far the subject is turned from the camera and the light source.

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Existing Light Techniques for Wedding and Portrait Photography by Bill Hurter


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